One image that has been so entrenched in Jepara is the predicate as the "City of Carving". Wood carving has become an idiom Maya Raden Kartini's hometown, and even yet there is another town worth mentioning commensurate with industry to craft furniture from Jepara carving. But for sampia in conditions like this, Jepara has a very long tread perjalana. Since the golden age of Hindu countries in Central Java, Jepara has been known as a port north coast of Java, which also serves a gateway of communication between premises Javanese kingdom of China and India.
Similarly, when the first Islamic kingdom in Demak, Jepara has been used as a port of the North as well as a center of trade and war fleet base. In the spreading of Islam by the Guardians, Jepara is also used as the "devotion" Sunan Kalijaga who developed a wide range of art including sculpture.
Another factor is the background for the development of wood carving in Jepara are immigrants from China who later settled. In the records of the history of wood carving was also inseparable from the role of Queen Kalinyamat. During his reign he had a vizier named "Sungging Badarduwung" which comes from the State Campa this duke was an expert who volunteered to teach the carving skills to the community surrounding The evidence can still be seen from the reign of Queen sculpture Kalinyamat is a carved ornament Mantingan stones at the mosque.
In addition, the role of Maya Raden Kartini in developing the art of carving is also very large. Maya Raden Kartini who saw the lives of the craftsmen was also moved from poverty, inner piqued, so he determined to raise the degree of the craftsmen. He called several craftsmen from Rear Mount (now one of the Village padukuhan mulyoharjo) under the leadership of Singowiryo, to jointly create a carving on the back of Regency. By Raden Kartini Maya, they were asked to make various types of carving, such as chest seam, ketch tables, frames, cigarette, place jewelry and other souvenir items. These items are then sold Raden Kartini Maya to Semarang and Batavia (now Jakarta), so it was found that the public good Jepara carving.
After many orders are coming, the result of increased production of the craftsmen Jepara chair type bride, winds archery equipment, and the bridal bed room divider as well as various types of guest chairs and dining chairs. Raden Kartini Maya also began introducing Jepara carving out of the country. How, Raden Kartini Maya gave souvenirs to his friend abroad. Consequently carving continues to grow and orders kept coming. All sales of goods, after deducting production costs and postage, the money was handed over intact to the craftsmen.
To support the development of Jepara carving that has been initiated by Maya Raden Kartini, in 1929 arose the idea of some of the natives to establish vocational schools. Right at the date of July 1, 1929, majoring in carpentry school furniture and sculpture was opened under the name "Openbare Ambachtsschool" which later evolved into the School of Engineering Affairs and then the State School of Industrial Craft.
Given these vocational schools, craft and carving meubul semaluas in the community and the more children who entered school in order to gain proficiency in the field of furniture and furniture and sculpture. Within this school to be taught a variety of design motifs and decorative carving Indonesia which was initially not known by the people of Jepara. The characters are instrumental in the development of educational institutions through this motif is Raden Ngabehi Projo Sukemi who developed motifs and Pajajaran majapahit and Raden Ngabehi Wignjopangukir develop Pajajaran and Balinese motifs.
Increasing numbers of motifs carved controlled by the Jepara artisans, furniture and Jepara carving increasingly in demand. The merchants also began to take advantage of this opportunity, to get new goods to meet consumer demand, both located in the overseas.
Jepara community capacity in the field of wood carving is also tinged with a legend. Narrated, in ancient times there is an artist named Ki Adi Sungging Luwih who lives in a kingdom. The fame of these artists are heard by the king who then ordered the picture empress. Long story short, KiSungging successfully complete the order as well. But when he would add a black color on the hair, black ink terpeciklah groin section images of the empress so it looks like a mole. This image is then submitted to the king who was very impressed of the work of Ki Sungging.
But the king also suspicious because he saw a mole dipangkal thigh. Raja Ki Sungging suspect Talah see naked empress. It is therefore intended to punish the king of Ki Sungging by making a statue in the air with the kite. At the appointed time ki Sungging up the kite with the completion of a chisel to make a statue of the empress.
However, due to angina was blowing hard, semi-finished statue was eventually carried by wind and crashed on the island of Bali. This thing was finally discovered by the people of Bali, so that local communities now known as the experts make the statue. While the sculpting tools are falling behind the mountains and reputedly from Jepara carving this region began to flourish.
Apart from legend and history, Jepara carving now been able to evolve and even is one part of the "breath of life and pulse of the economy" Jepara community.
After experiencing the change from craft to craft industry, especially when viewed in terms of socio-economic, Jepara wood carving proceeded rapidly, so get the title as the city of Jepara carving, after successfully mastering the national market. However, due to the dynamic development of economy, the national market alone is not a guarantee, because outside it's share of the market is still wide open. Therefore, special tips needed to be able to break through the international market.
To do this go to any market expansion is done through the exhibitions, but also made arrangements in the area. These steps taken by the effort to improve the quality of Jepara carving muebel, production management and marketing management. In addition, developed "The spirit of Jepara Incoporated", union of employers Jepara in entering the export market, which demands proper preparation because rivalries are so tight.
To improve the quality of Human Resources for example, is done through high school education Handicraft Industry Affairs and Technology Academy Timber and non-formal education through courses and exercises. With penigkatan quality of human resources is expected to spur not only product quality, but at also boost the capability of the Jepara artisans and entrepreneurs in the reader market opportunities with all tentutannya.
Improved product quality and quality control has become an obsession Jepara in entering the international market, aiming to boost confidence of foreign industrial products from Jepara. Therefore quality control system with reference to international standards is that can not be in the bargain-bargain again. This business is conducted through guidance to manufacturers in order to maintain product quality in order to guarantee quality of service as to which dipersaratkan ISO 9000.
In addition, the expansion and intensification of the market continues to be done in order to increase exports and the expansion of international markets with products that have potential penganeragaman, as well as increased market intelligence for transport overseas markets. Thus, employers can accurately and quickly anticipate the opportunities and challenges of international market. Meanwhile, information networks continue to be done through the functions and activities pengevektivan Buyer Reception Desk in Jepara. Conceptual steps are performed continuously fruitful success has been its impact felt by the people of Jepara; increased kesejateraannya. From the existing data can be used as a mirror the success of carved furniture sector in the last five years.
The above list does not include the potential for processed wood, souvenirs and a coffin in the last three years has successfully dilealisir exports. To be able to see further potential for wood carving can also be seen a variety of awards, which bersekala regionally, nationally and internationally, both for entrepreneurs, craftsmen as well as for regional leaders.
Similarly, when the first Islamic kingdom in Demak, Jepara has been used as a port of the North as well as a center of trade and war fleet base. In the spreading of Islam by the Guardians, Jepara is also used as the "devotion" Sunan Kalijaga who developed a wide range of art including sculpture.
Another factor is the background for the development of wood carving in Jepara are immigrants from China who later settled. In the records of the history of wood carving was also inseparable from the role of Queen Kalinyamat. During his reign he had a vizier named "Sungging Badarduwung" which comes from the State Campa this duke was an expert who volunteered to teach the carving skills to the community surrounding The evidence can still be seen from the reign of Queen sculpture Kalinyamat is a carved ornament Mantingan stones at the mosque.
In addition, the role of Maya Raden Kartini in developing the art of carving is also very large. Maya Raden Kartini who saw the lives of the craftsmen was also moved from poverty, inner piqued, so he determined to raise the degree of the craftsmen. He called several craftsmen from Rear Mount (now one of the Village padukuhan mulyoharjo) under the leadership of Singowiryo, to jointly create a carving on the back of Regency. By Raden Kartini Maya, they were asked to make various types of carving, such as chest seam, ketch tables, frames, cigarette, place jewelry and other souvenir items. These items are then sold Raden Kartini Maya to Semarang and Batavia (now Jakarta), so it was found that the public good Jepara carving.
After many orders are coming, the result of increased production of the craftsmen Jepara chair type bride, winds archery equipment, and the bridal bed room divider as well as various types of guest chairs and dining chairs. Raden Kartini Maya also began introducing Jepara carving out of the country. How, Raden Kartini Maya gave souvenirs to his friend abroad. Consequently carving continues to grow and orders kept coming. All sales of goods, after deducting production costs and postage, the money was handed over intact to the craftsmen.
To support the development of Jepara carving that has been initiated by Maya Raden Kartini, in 1929 arose the idea of some of the natives to establish vocational schools. Right at the date of July 1, 1929, majoring in carpentry school furniture and sculpture was opened under the name "Openbare Ambachtsschool" which later evolved into the School of Engineering Affairs and then the State School of Industrial Craft.
Given these vocational schools, craft and carving meubul semaluas in the community and the more children who entered school in order to gain proficiency in the field of furniture and furniture and sculpture. Within this school to be taught a variety of design motifs and decorative carving Indonesia which was initially not known by the people of Jepara. The characters are instrumental in the development of educational institutions through this motif is Raden Ngabehi Projo Sukemi who developed motifs and Pajajaran majapahit and Raden Ngabehi Wignjopangukir develop Pajajaran and Balinese motifs.
Increasing numbers of motifs carved controlled by the Jepara artisans, furniture and Jepara carving increasingly in demand. The merchants also began to take advantage of this opportunity, to get new goods to meet consumer demand, both located in the overseas.
Jepara community capacity in the field of wood carving is also tinged with a legend. Narrated, in ancient times there is an artist named Ki Adi Sungging Luwih who lives in a kingdom. The fame of these artists are heard by the king who then ordered the picture empress. Long story short, KiSungging successfully complete the order as well. But when he would add a black color on the hair, black ink terpeciklah groin section images of the empress so it looks like a mole. This image is then submitted to the king who was very impressed of the work of Ki Sungging.
But the king also suspicious because he saw a mole dipangkal thigh. Raja Ki Sungging suspect Talah see naked empress. It is therefore intended to punish the king of Ki Sungging by making a statue in the air with the kite. At the appointed time ki Sungging up the kite with the completion of a chisel to make a statue of the empress.
However, due to angina was blowing hard, semi-finished statue was eventually carried by wind and crashed on the island of Bali. This thing was finally discovered by the people of Bali, so that local communities now known as the experts make the statue. While the sculpting tools are falling behind the mountains and reputedly from Jepara carving this region began to flourish.
Apart from legend and history, Jepara carving now been able to evolve and even is one part of the "breath of life and pulse of the economy" Jepara community.
After experiencing the change from craft to craft industry, especially when viewed in terms of socio-economic, Jepara wood carving proceeded rapidly, so get the title as the city of Jepara carving, after successfully mastering the national market. However, due to the dynamic development of economy, the national market alone is not a guarantee, because outside it's share of the market is still wide open. Therefore, special tips needed to be able to break through the international market.
To do this go to any market expansion is done through the exhibitions, but also made arrangements in the area. These steps taken by the effort to improve the quality of Jepara carving muebel, production management and marketing management. In addition, developed "The spirit of Jepara Incoporated", union of employers Jepara in entering the export market, which demands proper preparation because rivalries are so tight.
To improve the quality of Human Resources for example, is done through high school education Handicraft Industry Affairs and Technology Academy Timber and non-formal education through courses and exercises. With penigkatan quality of human resources is expected to spur not only product quality, but at also boost the capability of the Jepara artisans and entrepreneurs in the reader market opportunities with all tentutannya.
Improved product quality and quality control has become an obsession Jepara in entering the international market, aiming to boost confidence of foreign industrial products from Jepara. Therefore quality control system with reference to international standards is that can not be in the bargain-bargain again. This business is conducted through guidance to manufacturers in order to maintain product quality in order to guarantee quality of service as to which dipersaratkan ISO 9000.
In addition, the expansion and intensification of the market continues to be done in order to increase exports and the expansion of international markets with products that have potential penganeragaman, as well as increased market intelligence for transport overseas markets. Thus, employers can accurately and quickly anticipate the opportunities and challenges of international market. Meanwhile, information networks continue to be done through the functions and activities pengevektivan Buyer Reception Desk in Jepara. Conceptual steps are performed continuously fruitful success has been its impact felt by the people of Jepara; increased kesejateraannya. From the existing data can be used as a mirror the success of carved furniture sector in the last five years.
The above list does not include the potential for processed wood, souvenirs and a coffin in the last three years has successfully dilealisir exports. To be able to see further potential for wood carving can also be seen a variety of awards, which bersekala regionally, nationally and internationally, both for entrepreneurs, craftsmen as well as for regional leaders.
0 komentar:
Posting Komentar