Address: Jl. DI Panjaitan, Yogyakarta, Indonesia.GPS Coordinates: S7 ° 49'39 .5 "E110 ° 21'37 .9".
Krapyak stage is building a nearly 250-year-old known as the hunting ground of the kings of Yogyakarta Sultanate. Standing in the region formerly known as Forest Krapyak, where Panembahan Senopati son died.Krapyak stage, Kings Place of Hunting.
Once Krapyak region, which now sits in the south of Yogyakarta Palace, formerly a dense forest. Various species of wild animals found here, one deer or a deer in a language called Java. Not surprisingly, this region was widely used as a hunting ground by the Kings of Mataram.
Raden Mas Hanyokrowati Jolang the title of King, the second king of the Kingdom of Mataram Islam and son Panembahan Senopati, is one of the kings who utilize Krapyak Forest as a place to hunt. In 1613, he had an accident in the hunting and eventually died here. He was buried in the town and given the title Panembahan Krapyak Seda (meaning the king who died in the Forest Krapyak).
Another king who liked to hunt in the Forest Krapyak is Mangkubumi Prince (Sultan lane I). He was the one who established the Stage Krapyak more than 140 years after the death of King Hanyokrowati in this forest. Krapyak stage of history is an indication that the region Krapyak once used as hunting areas. If interested, you can come with a drive to the south of the South Square, past Plengkung Ivory and DI Panjaitan Road. Krapyak stage will be found after driving about 3 miles, located right in the middle of the road.
Building Stage Krapyak rectangular area of 17.6 mx 15 m. The walls are made of red brick covered with cement cast and drawn upward as high as 10 m. Wall sections now appear black, showing the age of nearly equal age of the city of Yogyakarta, a quarter millennium. The building still looks solid, although some parts were damaged by the earthquake last May 27, 2006.
Stage architecture is quite unique. Each side of the building has a door and two windows. Doors and windows it is only a hole, with no cover. The bottom of the doors and windows topped rectangular but curved, like the design of doors and windows in the mosque-masijd.
The building stage is divided into two floors. The first floor has 4 rooms and a short hallway that connects the door of each side. If the sun shines brighter, the light will penetrate into the first floor of the building through the doors and windows. The existence of the sun made the old shades created by the condition of the building and the air is more humid and cooler will immediately ambushed.
If to one room in the southeast and southwest of the building and looked up, you can see a hole wide enough. From the hole that the kings who want to hunt leading to the second floor (handy as a place to hunt) with the help of a wooden staircase which is now no longer be found. By looking up anyway, you can know that there is a roof to shade the hole that has now collapsed, may be useful to prevent water entry.
At first glance, this building illustrates the convenience gained the king, even when hunting. The height of buildings to make the king hunting with a sense of comfort and safety, lurk freely without worrying about being attacked by wild animals when hunting. The second floor of this place was quite comfortable, in the form of ample open space and bounded by a fence with a height being perforated.
The height of this building leads some to suspect that the Stage Krapyak also used as a defense post. Perhaps, from this place the enemy movement from the south can be monitored so that it can provide early warning to the sultan's palace when the attack occurred. The soldiers are alternately assigned to guard this place, as well as practicing hunting and sporting kanuragan (fighting skills).
Stage Krapyak including building situated on the imaginary axis of the city of Yogyakarta, connecting Mount Merapi, Monument Jogja, Yogyakarta Kingdom, Stage Krapyak and the South Seas. Stage Krapyak shaft until Kraton describe the human journey from birth to adulthood. Areas around the stage symbolizes human life while still in the womb, marked by a village on the north Stage Mijen Krapyak as a symbol of human seed.
Stage Krapyak visit, mean visiting one of the buildings important to the Sultan's Palace.
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